Originally Posted on Land + Artscapes, 10/6/17

Long before I understood
what they represented, the circular shapes in aerial landscape photography have
held some fascination. Once I get over
the bit of fear that almost always arrests me during moments of take off, I
can’t help but marvel at the views below. As the plane soars cross the grid
patterns of cities, looser sprawling designs and through surprisingly combative
clouds, I crane my neck to witness how we have shaped and not shaped the land.
Browns, tans, sienna
and various shades of green formed by the center pivot irrigation systems cover
much of Middle America. From New Jersey
to California, North America is dotted with circles with a radius of about .25
miles. The linear arms of galvanized
steel and aluminum are electrically powered and rotated on wheels to water
crops at regular intervals. Each circle represents
soy, corn, wheat or bare ground. The corners of the squares that run tangent to
the circumference to each irrigated square may contain some other crop or,
usually, weeds or native trees. Collectively these circles and squares create
quilts of varying sizes and shapes that blanket hundreds of miles of land that
were once one continuous swatches of prairie grasses with contrasting clumps
and splatters of wholly bison, white pine and cottonwood trees.
We fly over this
vast landscape to land in places like Boston, Chicago, New York and San Francisco
and seldom have any reason to set foot on this strange and artificially crated
landscape. It is a landscape no more artificial than ours, yet artificial all
the same. What do aliens beings think when they see the earth spotted with
circles? Yet I am reminded that people
live in the corner pockets and strips of non-circular land, surrounded by evergreen
trees that shield them from harsh winds and glaring summer sun. These people in
whose minds are etched the line of highways or long flat roads connecting town
to town. Theirs is a landscape of large swatches
of blue that touch yellowish-greenish-brown shapes receding into an endless horizon.
The circular forms seen from above are lost to them.
These quilts are
colorful fragmented skins and layers of centuries of struggle, neglect, abuse,
waste, abundance; layers and fragments of promise, betrayal, deception,
upheaval, drought, violence, triumph, hope and uncertainty. These quilts feed
us. They allow us to live alternative lifestyles and create spaces over which we
can fly and wax poetic whenever we dare venture out for short trips.
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